Around the World in 80 Days
Michael Todd
Open race ledger
Oscar Ledger Year Dossier
The 1956 file for 29th Academy Awards: winners first, ballot trails on demand, and the films that shaped the ceremony.
Annual Thesis
This dossier opens with the four races readers check first: Picture, Director, Actor, and Actress. 4 of 4 major races have winners recorded, with 20 major-field records feeding into the full 36/31 ceremony ledger below.
Michael Todd
Open race ledgerGiant
Open race ledgerThe King and I
Open race ledgerAnastasia
Open race ledgerCeremony Snapshot
Best Picture went to Around the World in 80 Days. The winning leader is The King and I with 5 wins.
Best Picture Categories settled and marked as winners in the ledger.
The ceremony's top prize, updated dynamically from the winner row.
5 wins across the ceremony.
10 nominations in this ceremony.
The shortlist most readers look for first: 5 Best Picture nominees from this ceremony.
Major Races
A fast editorial scan of Picture, Director, Actor, and Actress before the full ceremony ledger opens out below.
Best Picture anchors a 5-nominee field.
Best Director anchors a 5-nominee field.
Best Actor anchors a 5-nominee field.
Best Actress anchors a 5-nominee field.
Full ballot mode is showing every winner, nominee, film, person, and review link for this ceremony.
Category
1 winner / 5 records
Credit: William Wyler
Credit: George StevensHenry Ginsberg
Credit: Charles Brackett
Credit: Cecil B. DeMille
Category
1 winner / 5 records
Credit: George Stevens
Credit: William Wyler
Credit: Walter Lang
Credit: King Vidor
Category
1 winner / 5 records
Category
1 winner / 5 records
Category
1 winner / 5 records
Category
1 winner / 5 records
Category
1 winner / 5 records
Credit: Albert Lamorisse
Credit: Andrew L. Stone
Credit: Robert Lewin
Credit: William Rose
Category
1 winner / 5 records
Credit: Tennessee Williams
Credit: Michael Wilson
NOTE: Early in 1956, the name of blacklisted screenwriter Michael Wilson had been deleted from the screen credits of Friendly Persuasion by Allied Artists, the film's distributor, based on a 1952 agreement between the Screen Writers Guild and various production companies. That agreement gave studios the right to omit from the screen the name of any individual who had failed to clear himself before a duly constituted legislative committee of Congress if accused of Communist affiliations, as was the case with Wilson at the time. The Academy, in the awkward position of possibly conferring its highest honor on someone whose name had been omitted from screen credit, revised its bylaws at a special February 6, 1957, meeting. That revision, in essence, allowed that in such cases, the achievement itself could be eligible for nomination, but the specific writer would be ineligible. The following instructions were sent to Price Waterhouse & Co., Certified Public Accountants, who tabulated Academy ballots: \"...we ask that if, in tabulating the nominations ballots for Best Screenplay (adapted), Friendly Persuasion is one of the five nominations, you list the other four alphabetically by title and below: Friendly Persuasion - Achievement nominated, but writer ineligible for Award under Academy By-Laws.\"" On February 17, 1957, the Academy's Board of Governors voted to instruct Price Waterhouse & Co. \""...to list five nominations, and in the event that one of these is declared ineligible under the By-Law provision, four nominations would appear on the final ballot.\"" THIS NOMINATION WAS NOT INCLUDED ON THE FINAL BALLOT. (The bylaw was repealed by the Academy as \""unworkable\"" on January 12, 1959.) On December 10, 2002, the Academy's Board of Governors voted to reinstate Mr. Wilson's nomination."
Credit: Fred GuiolIvan Moffat
Credit: Norman Corwin
Category
1 winner / 5 records
Credit: Dino De LaurentiisCarlo Ponti
NOTE: For the 29th Academy Awards, the name(s) of the producer(s) were included in the nomination for the Foreign Language Film category.
Credit: Annie Dorfmann
NOTE: For the 29th Academy Awards, the name(s) of the producer(s) were included in the nomination for the Foreign Language Film category.
Credit: Masayuki Takagi
NOTE: For the 29th Academy Awards, the name(s) of the producer(s) were included in the nomination for the Foreign Language Film category.
Credit: O. Dalsgaard-Olsen
NOTE: For the 29th Academy Awards, the name(s) of the producer(s) were included in the nomination for the Foreign Language Film category.
Credit: Gyula TrebitschWalter Koppel
NOTE: For the 29th Academy Awards, the name(s) of the producer(s) were included in the nomination for the Foreign Language Film category.
Category
1 winner / 5 records
Credit: Alfred Newman
Credit: Dimitri Tiomkin
Credit: Alex North
Category
1 winner / 5 records
Credit: Jay LivingstonRay Evans
Whatever Will Be, Will Be (Que Sera, Sera)
Category
1 winner / 5 records
Credit: Merrill G. White
Credit: Anne Bauchens
Category
1 winner / 2 records
Credit: John Fulton
Category
1 winner / 5 records
Category
1 winner / 5 records
Category
1 winner / 5 records
Credit: Boris Kaufman
Credit: Walter Strenge
Credit: Hal Rosson
Credit: Burnett Guffey
Category
1 winner / 5 records
Credit: Harry Stradling
Credit: Leon Shamroy
Credit: Loyal Griggs
Credit: Jack Cardiff
Category
1 winner / 5 records
Credit: Jean Louis
Credit: Kohei Ezaki
Credit: Helen Rose
Credit: Edith Head
Category
1 winner / 5 records
Credit: Irene Sharaff
Credit: Moss MabryMarjorie Best
Credit: Marie De Matteis
Category
1 winner / 3 records
Credit: Louis Clyde Stoumen
Credit: The Government Film Committee of Denmark
Category
1 winner / 5 records
Credit: Charles Guggenheim & Associates Inc.
Credit: Ward Kimball
Credit: John Healy
1 winner / 5 records
Credit: Alfred NewmanKen Darby
Credit: Johnny GreenSaul Chaplin
Category
1 winner / 3 records
Category
1 winner / 3 records
Credit: Robert Youngson
Credit: Cedric Francis
Category
1 winner / 4 records
Credit: Romulus Films
Credit: Larry Lansburgh
Credit: Walt Disney
Credit: John Healy
Category
1 winner / 5 records
Category
1 winner / 5 records
Credit: Dalton Trumbo
NOTE: The name of the writer credited with authorship, Robert Rich, turned out to be an alias. Two decades later, the mystery was officially solved and the Academy statuette went (on May 2, 1975, presented by then Academy president Walter Mirisch) to its rightful owner, screenwriter Dalton Trumbo, blacklisted in 1956 by the industry for political affiliations. Robert Rich (who had nothing to do with the film industry) is a nephew of the King Brothers, producers of the film. They chose his name to be the alias for Dalton Trumbo on the screenplay.
Credit: Edward BerndsElwood Ullman
NOTE: THIS IS NOT AN OFFICIAL NOMINATION. Edward Bernds and Elwood Ullman, the authors of this Bowery Boys quickie, respectfully withdrew their own names and the nomination, aware that voters had probably mistaken their film with a 1956 MGM release with the same title written by John Patrick and starring Bing Crosby, Grace Kelly and Frank Sinatra. (Even so, MGM's High Society would only have been eligible for adapted screenplay.)
Credit: Leo Katcher
Credit: Cesare Zavattini
Poster-first highlights from this ceremony, led by winners and the titles that defined the night.
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Winner A category-by-category winner roll call generated directly from the ceremony ledger.
Research Mode
Poster view is the default Lunara surface. Data Explorer stays here for sortable rows, filters, and deep record-level digging when you actually need the raw ledger.